CONVERSION COLLECTION

Usually, the word Conversion is used when some one changes their religion. I also did it. I changed my religion of silence and shouted through my paintings the pain I was experiencing. 

I painted this collection during my bachelor’s studies. It’s a portrait of me as a woman in my early twenties, living in a society that was deeply patriarchal. Around that time, I had just moved alone to a bigger city. Meeting new people and being exposed to new ideas slowly started to shift my core beliefs. I began to realize how much I had internalized years of structural violence against women—so much that I couldn’t even see it or put it into words. It was just alive under my skin.

That period put me under a lot of pressure. I was trying to adapt to a new environment while also redefining who I was. Even though I’m grateful for those changes—because they pushed me toward becoming a better version of myself—it was still a painful process.

On top of that, I was in a romantic relationship that was unequal and draining my soul, without me even realizing it was unhealthy. This collection grew out of all of that: the struggle, the confusion, the pain, and also the beginnings of change.

(2019-2020) Oil on Canvas

TEHRAN DOWNTWON

Tehran, my lovely city with no air but full of uncertainty. In this collection my main focus was on my environment and social anxiety. Each of these pieces holds a long story, like a quiet conversation with the city and with myself.

(2020) pencil on paper and tracing monoprint